In Don Ramón María del Valle-Inclán there is a double portrait, those of the portraitist and the sitter, the two Ramones.
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Travelling into the life, work and soul of Valle-Inclán we can observe his tools of analysis, his instruments of dissection, his aesthetic doctrine. Thus the miracle of the stylistic and vital sum of two literary creators essential to understanding a good part of the Spanish avant-garde of the twentieth century is produced.
There have been many intense approaches to the figure of Valle, grotesque even, to honour the genre he baptized.
The work invites us to follow another path, closer to intimacy, to everyday reality, to the appreciation of ethical principles sometimes overshadowed by distortion. Finally, it invites us to get to know in depth Valle’s creative mechanisms, his irreducible commitment to his ethical positioning in the world and how all this generates one of the masterpieces of our literature.
